Highlights of the 2022 Tony Awards Nominations

Critic’s Notebook

If the roster of Tony Award nominees announced on Monday looks even odder and more random than usual, well, it’s been an odd and random season. For that matter, it wasn’t even really a season. The surfeit of nods — many categories that usually feature five nominations this year feature six or seven — pales in comparison to the scope of eligible productions, the first of which (“Girl From the North Country”) opened in March 2020, just before the pandemic blew an 18-month hole in Broadway. If my math is correct, that was 100 years ago.

The pandemic that distorted the season also distorted the awards process. Of the 34 productions the 29 nominators were allowed to consider, 15 opened in April — six in the last week of that month alone. It couldn’t have been easy. I know that for critics it was a maddening game of Whac-a-Mole, trying to hit each show as it popped up before suddenly vanishing, riddled with shutdowns and star absences. In the end, I missed two: “Mr. Saturday Night,” which received five nominations, and “The Little Prince,” which was ineligible and by all accounts unintelligible.

The nominators presumably missed none, and of those 34 eligible productions, they honored a whopping 29. No musical, not even the dreadful “Diana, the Musical” was skunked, even if some awfully good plays, including “Pass Over” and “Is This a Room,” found themselves forgotten. Was that because they were among the first to step up in the wishfully post-Covid Broadway reopening that began in August? Having opened perhaps too early they definitely closed too quickly.

But those shows are also more cutting edge than commercial awards typically know how to handle, using downtown theatrical formats to present difficult dramatic material. (“Pass Over” is a surrealist look at violence against young Black men; “Is This a Room,” a spoken transcript of an interrogation about government secrecy.) The nominations suggest a willingness to accept only one of those challenges — just as, at the other end of the spectrum, they seemed ready to welcome plays that are hackneyed in form or content but not both. The revival of Neil Simon’s “Plaza Suite,” starring Matthew Broderick and Sarah Jessica Parker, received one nomination, for Jane Greenwood’s costume design.

Still, poring over my personal Tonys spreadsheet, which I keep in a special air-locked safe with my original cast vinyl recordings and Playbills printed on papyrus, I am impressed with the nominators’ determination to spread the wealth.

There are plenty of familiar names, of course, including the previous Tony winners Mary-Louise Parker, LaChanze, Hugh Jackman, Sutton Foster, Phylicia Rashad and Patti…